Living the Fictional Dream

A few weeks ago, I came across an anthology listing for which one of my stories was perfect (the concept was fairly unique). The only catch — apparently they did not take reprints. Though, the guidelines were a little confusing — nothing about reprints either way was listed on the page for that anthology, but on a different page all together. So, I decided to query, just in case.

Later that same day, I got a reply that said they did not accept reprints. A bummer, sure, but understandable. Then, a few weeks later, I got another message inviting me to send my story in for consideration!

I still don’t know if they will like my story, but they obviously decided they liked the sentence description of it in my query enough to look at it. That’s something!

The lesson I learned — if in doubt, go ahead and query. The worst they can say is no, and you never know if something good will come out of it.

There has been a lot of talking in the writers’ corner of the blog-o-sphere lately about professional markets, professional rates, and whether it’s worth it for a writer to send his or her stories out to lower paying markets.

Some editors have said it’s not worth it to target for-the-love markets just to get a credit in your cover letter, because no credits are better than meaningless credits.

Personally, I’m not so sure about that. Time and time again, I’ve seen writers that I know get that first credit and, after that, the acceptances start flying in (at least in comparison to before that first credit).

It happened to me that way, too. I spent 10 months submitting story after story, all of which were flat out rejected. Finally, in November of 2007, my story was accepted into Sporty Spec: Games of the Fantastic.

Then, after I started sending out stories with that forthcoming publication in my cover letter, I got several more stories accepted in quick succession (A Thousand Faces and Every Day Fiction were the next two acceptances, though it took longer for my stories to appear in some markets than others.)

Maybe it is not the credit, but some kind of critical mass. Maybe the reason the first acceptance comes is because the writer has finally reached a publishable point in their growth as a writer. I wouldn’t disbelieve that notion.

Then again, maybe there is something about that first credit that marks you as serious about the work, even if it is just in an editor’s subconscious. Or maybe it’s a combination of the two.

Either way, I know that I’m happy to have credits with smaller ‘zines on my cover letter, and I think that I’ve learned a lot from the markets I’ve been published in. I’ve learned about relating to editors, editing my work, proofs, and standing up for my story when there are technical difficulties. In addition to all that, I’ve gotten to see my stories in print (both electronic and hard copy), and I’ve made writer friends who have taught me a lot in their own ways.

Over all, I’m happy. Sure, larger paychecks would be nice, but I never believed I would earn money doing this, so I’ve never been overly concerned about that.

The key, I think, to keep moving forward with your writing career is not to stay on the lower levels for too long. I do think you hit what you aim for, and the better paying markets are the ones with the most readers and the ones with the most prestige (which, to me, are more important than money). If you never aim for those markets, you can never be published there.

To quote one of my favorite movies, “Your odds go up when you file an application.”

As soon as I had a few small credits under my belt, I started targeting the larger professional markets with my stories. I still haven’t cracked one, but I continue to hope. And my rejections for some of them (as I mentioned in a previous entry) have gotten a little more personal, so I think I’m making progress.

If I were giving advice to a new writer starting out, I would say aim as high as you want. But, if the pro markets reject you at first, target some of the smaller ones until you get that first credit or two. Learn how things work. Earn a publishing credit or two. But never stop aiming high. If you only tarket token and for-the-love markets, that’s the only place you’ll ever be published. If you aim higher and you work on honing your craft, I think you have as good a shot as anyone else at getting there.

My writing group had its annual planning meeting earlier this week. This meeting is when we select what projects and activities we want to pursue during the year ahead. Most of the time, it’s the usual stuff — crits, meetings, write-ins, the prompts contest… This year, we decided to add something new to the mix.

In lieu of our usual themed short story collection challenge (which was cancelled for lack of participation this year), we are going to try to work on writing stories for and submitting stories to the professional markets.

I’m really excited about the idea. I’ve been sending stories to some of the professional markets for a while now. I got a couple of personal rejections with compliments of my writing style from one market in that category (well, it’s a pro market if your story is under a certain word count… so it’s not one of the big three or anything), which was thrilling to me, but all the others have been the typical form rejections. It would be awesome if I could finally break into one of the bigger markets.

Not that I don’t love all of the smaller ‘zines that I’ve been a part of. I love each and every one of them. I’m grateful that they published my stories, and I’m happy to have been a part of them. The ones that have print versions, too, are in a special place on my bookshelf.

But, wouldn’t it be awesome to get both the larger paycheck and the larger readership that comes along with publishing in a professional market?

I hope that I have enough time to devote to this project over the next year, because, if it succeeds, I think it would take this hobby of mine to the next level. I wonder if Daddy will be willing to take on baby duty a little more often so I have time to write between coming home from work and bedtime…

So, I have this story that I would really like to see published somewhere (of course, I’d like to see all my stories published, but I think this one is a particularly good one). The big strike against it is it’s length. I’ve cut thousands of words since my first draft and it’s where I think it needs to be to tell the story, but it’s still around 8K.

Yesterday, I actually had some time to look through open anthology markets, and I found one that seems perfect, except for one thing. The theme of my story and the theme of the anthology match. And they will look at stories up to 10K. However, the problem is the genre. They want something with a horror slant, and my story is really more urban fantasy.

Should I send it to them?

Part of me says, “Go ahead and send it. The worst they can say is no, and who knows? Maybe you’ll get lucky, and they’ll love it despite the slight difference from what they wanted.” However, the other part of me says, “Don’t even bother. It’s not what they want, so they’ll reject it right away. What’s the point in sending something out for a sure rejections and tying it up so that you can’t send it elsewhere except as a simultaneous submission?”

Eh… I guess I’ll have to think on this a little longer…

Murphy’s Law strikes again. I haven’t gotten a story accepted in a few months (mostly because my submission and writing output have been down due to pregnancy and baby-related things), but, of course, during the time that our little girl has been in the NICU, two acceptances arrived.

Don’t get me wrong, I’m excited to be accepted, but, for one of them, the timing turned out to be disappointing.

First, though, let me say that a superhero flash piece that I wrote, “Frigid,” is going to appear in Every Day Fiction on August 21. And, look, my name is mentioned in the Table of Contents blurb. That’s a first! I’m excited to be back in EDF, as it’s one of my favorite short fiction publications.

The other acceptance didn’t work out so well. I won’t mention the name of the publication, but they emailed me on July 22 to accept my story for the August issue. To appear in that issue, I had to return the contract to them by July 29.

Maybe it’s just me, but what a short response window! Maybe I’m just used to most publications who accept you for months in advance? If only they’d accepted me for the September issue or something…

I won’t complain about their editorial policies. I understand, they have to do what’s best for their publication. And, I’m sure that they deal with story acceptances where they author disappears on them on a regular basis. I’ve read policies for dealing with that in many publications’ guidelines. So, from the editor’s perspective, I understand why they had to rescind their acceptance of my story.

On a personal level, though, I’m bummed. It’s frustrating that one of my few acceptances this year was rescinded because I was spending so much time at the hospital with my little girl that all my writing stuff (and most of my email in general) got left by the wayside. (Not that I would change a decision that I made — Summerlyn is the most important thing right now, and she’s doing really, really well. We’re hoping she’ll be home soon!)

The other thing that’s disappointing is the particular story in question that was rescinded. This story is cursed, I think. It was nearly accepted several times, but not. Then, the first time it was actually accepted, the ‘zine folded before they could published it. Now, it’s accepted again and then due to timing will still not be published. **sigh** Maybe I should give up on it!

While I have no hard feelings for the publication in question, I will say that this experience has made me appreciate EDF’s contract-on-submission method a lot more. It makes things so easy at the end of the process. There is no question that the story can be included in the issue in question and acceptances go off without a hitch.

I didn’t end up actually writing at my writing group’s write-in last night (hmm… how many times can I get a form of the word “write” into one sentence?). But, I’m pleased with the way I spent my two hours.

I dug back into my pool of rejected stories and found new markets to target them to. My writing group makes goals for writing-related tasks that we will hold each other accountable for accomplishing between meetings. My goal for the next meeting was to submit a story. I did one better last night and submitted two. Go me!

Lack of writing (be that because of work, the baby, or just a stellar lack of motivation) is one reason that my publications have tapered off so since January. But, the other reason is that I have not kept on top of my rejections. The best thing to do is get a rejection and send the story right back out again (or, if needed, revise and then submit again, depending of the story). It’s important to keep stories in circulation!

Add these two stories to the two that I submitted at the end of May, and now I have four stories making the rounds again. It’s definitely progress! Perhaps the end of the year will hold a few more publications for me than the beginning has. If one of the four were accepted, I would call it a win.

And, in the meantime, no matter what happens with those four stories, I do have two upcoming publications to look forward to. I will have a story (”The Last Ball at Concord House”) in the first issue of 10Flash later this summer, and one of the later issues of A Thousand Faces this year will feature a superhero short story that I wrote last year (”Dinner for Three” — a story that can loosely be termed a sequel to “Bridge Club”).

Oh, and speaking of superhero fiction, the new issue of A Thousand Faces is available, and it features an amusing flash piece from writing group mate, Jens. It is even set in Fort Worth! Give it a look when you have some time.

Happy writing and submitting, every one!

Sorry for disappearing on you guys for a week. I caught this horrible crud last week and it laid me low for a long time. I’m only just now finally feeling sort of normal and getting back into the swing of work, and I’m still suffering from the lingering cough and runny nose. It really sucks being sick when you’re pregnant — you’re not allowed any of the good meds!

But, enough about that boring stuff. Let’s talk about writing.

When I logged into my email account after having been down for so long, I was rewarded with one acceptance and one rejection. It was nice that they balanced each other out!

A very strange story (about superheroes and vomit, of all things) was rejected. I wasn’t surprised. There were some really stomach churning descriptions in there (yes… I wrote it under the influence of first trimester morning sickness!). Now I have to look at it again (if I can find the stomach for it) and see if there is something revisable in that mess. I liked it at the time, but now… I’m not so sure. Maybe it’s because I’m now past all that nausea?

On the happier side of things, I wrote a little ghost story flash called “The Last Ball at Concord House,” and it will be published in the inaugural issue of 10Flash. I’m excited about that — it’s really neat to be part of a brand new ‘zine. And congrats to K.C. for all the work she’s been putting into it! I think it’s going to be a really fun publication!

And, speaking of K.C., if you’re interested in writing flash, you should read this post over on her blog. I enjoyed it a lot.

Finally, this is a little late, but my writing group mate Alex had a story published on Every Day Fiction earlier this week. It’s called, “The Squeeze.” It’s very short, and the ending will make you laugh.

The Sword & Sorceress market has opened again. Another anthology of sword and sorcery stories with strong female protagonists. I really love the idea of this anthology. I like fantasy, I especially like fantasy with strong female protagonists, and I enjoy a good action story (if it is well-written and has more than just action to sweeten the story).

This is one of those markets that it would be a dream to be included in. As such, I probably never will be, LOL! Seriously, this is a really tough market. I have submitted several stories to them in the past couple of years and gotten the form rejection every time. Not even good enough for a personal comment! Some of my writing group mates have submitted as well, and none of us have gotten a nibble. Competition at the professional level is killer.

Last year, while on vacation, my husband had me reading a series of short stories about two characters named Tarma and Kethry. These stories were some of the first works published by Mercedes Lackey, and I believe they first came to light in a S&S anthology or some other of Marion Zimmer Bradley’s publications. While reading them, I was really struck by the difference between publishing now and publishing back when these stories first came out (I think it was in the 1970s, if I remember correctly, but I’m lazy and not looking it up, so don’t hold me to that!).

In these stories, Tarma is a female warrier. All of her tribe is slaughtered by her, so she swears herself to the warrier goddess, takes a vow of chastity, and devotes herself to getting vengeance for her tribe. After that is complete, she devotes herself to helping women in trouble who have no one else to save them.

By Tarma’s side is Kethry, a sorceress of astonishing power who has a magic sword that can lead them to other women who are in trouble. The pair forge a solid and real friendship and spend their lives saving the world together — both on their own and as part of a mercenary fighting garrison. Kethry’s children help Tarma re-start her lost tribe among the horse people, and in their later years they run a school to train both boys and girls in the art of fighting and magic.

If you have some time to kill, I would recommend these stories. I found them very interesting, and over time I really grew to love the characters.

However, it’s that “over time” part that really marks the difference between then and now in the publishing world. Nowadays, there is no time for building an audience, especially in the short fiction market (though, I think that is also more and more true for the novel market, as well). A short fiction author is lucky if readers don’t give up on their stories within the first few paragraphs. As a reader myself, even I’ve been guilty of this. If a flash piece doesn’t grab me at least a little bit at the beginning, I’ve been known to bail on it, even if it was less than 1,000 words. I just don’t have enough time for reading something I’m not that into.

But back then, you had the luxury of time. If you were a good writer, your stuff would get published and your audience was allowed to grow. When I first started reading the Tarma and Kethry stories, I remember thinking, this is an interesting premise, but if this story were submitted to a market today, it would get rejected. There isn’t enough punch at the beginning, not enough of a hook. To really get invested in the characters, I had to read the first two or three short stories in the anthology — back when they were first published, these stories weren’t even in an anthology all together, so you only had one at a time to read.

So, as I ponder if I have any ideas worth working on and submitted to the S&S market this year, I think back to Tarma and Kethry and realize how much things have changed. Its a faster and more competitive world out there for writers, and snagging readers is more difficult, so we have to be at our best all the time, and even then our stories may not get accepted.

However, I don’t want to end this post on a down note. I really want people to take away from this that I’m discouraged about writing or publishing, because I’m not. I just try to approach it with a realistic mind set and no false hopes.

If I never become rich and famous in this game, that’s fine. I mean, I wouldn’t turn down rich and famous, but I don’t expect it. I just want to write, and I know that’s something I’ll be doing forever, no matter how many stories I have published (or don’t have published).

Got a bummer of a rejection today. There aren’t a lot of markets out there for short stories that reach 8K, but some of the ones that will accept stories that long are really prestigious ones — the kind of markets I’ve been trying to crack for a while now.

I have a story I wrote last year that is about 8K, and I think it’s a pretty solid 8K. If I have to cut it down to 5K to try to submit it somewhere, I think it will weaken the story.

I got a rejection note today from the latest place that I sent the story, and it was one of those almost rejections. They said that the story was “well received” by the editors, but after “further thought” they decided not to accepted it.

Man! Now, granted, this is way better than a form rejection. They actually at least liked the story and considered it, as opposed to rejecting out of hand.

However, it’s more frustrating, too — they actually liked it, but rejected it anyway. I was almost in, but didn’t quite make it. And there wasn’t really any explanation as to why. It’s that subjectivity thing again!

We’ll have to see what I can do with my 8K monster story. I need to do some market crawling and find somewhere else to submit it. And I think I definitely need to send something else to this particular market. Maybe the next story I send them will be the one!

Hey, a girl can hope!

Yikes! I really need to make the time to go through all the rejections I’ve gotten since NaNo and find more markets to resubmit those stories to. Poor little stories… I’ve been neglecting you!

The other thing I need to do is write some prompts. No one has written one for my writing group’s monthly prompts contest this month. It would be the perfect time for me to swoop in, bang out 5 prompts, and take home a $10 prize (and, thus, earn back the money I donated to the prize pool for the year).

The good thing about the prompts contest is that when I write 5 prompts for the monht, I usually get at least one or two flash pieces that I can shape up into something marketable. “The Mad King,” “The Dragon Thief,” and “Honor Bound” are all flash pieces that I wrote based on the prompts contest and subsequently published — and there are others in my submission queue. “The Care and Feeding of Your Sleeping Knight” also came from a prompt, but that was a prompt we did at a meeting, as opposed to the monthly contest — though the same principle applies.

Of course, to be crowned the February winner, I’d have to write 5 prompts in 10 days… Pressure! And the problem is, I can be really picky about my prompts. I don’t like them too specific, but they also have to engage my muse — and my muse has been very fickle as of late.

Oh, and speaking of prompts, if you’re in the market for some, you should check out my writing group mate Stephanie’s blog. She’s been posting a prompt of the day for a while now, and there is some fun stuff there.